I spent a solid 7 hours at Panda one day making the main synth loop for this song. I was messing around on my Moog Sub 37, creating these random arpeggio loops that never repeat. I was sending them into Ableton, adding delay and reverb, and recording them for hours until it finally moved the exact way I wanted it and perfectly matched the tempo. It was tedious but it was honestly such a good break for me at the time. The days prior, I had been constantly getting bogged down and trying to grab new instruments off the wall to bail myself out of a lackluster idea. I was thinking maybe if I find a new part, the song could actually be something. After a night of frustration I decided I was going to go into a synth wormhole the next day and (maybe) build a new song around that. After hours of toying around I finally got a solid 10 minute loop that matched perfectly to tempo and chopped it up from there to make specific parts for a song. I added the pumping kick and thought it would be cool if there wasn’t a snare in the entire song. You don’t really notice it until it’s pointed out. The song reminds me of The Postal Service or Dntel, especially in the outro with the vocal chops. The other day my brother pointed out to me that it reminds him of Donna Lewis’ “I Love You Always Forever”, which I think is badass because literally everyone I know loves that song.
lyrics
covered in chrome
when you’re on your own
you’re walking the rails but you won’t look below
i know we all want to change but here’s how it often goes
dive in straight
don’t wanna wait cuz time moves slow (on & on & on &)
and it’s all settling in we’re on the fringes now so tie it up, sever it off while it’s dulling down
we’re scared to be alone
go back to where we’ve been scared to roam from what we know silver in the glow again
(again & again & again &)
maybe we’re wrong
when we say the thrill is long gone put it on until the words
set in stone
(on & on & on &)
and it’s all settling in we’re on the fringes now so tie it up, sever it off while it’s dulling down
we’re scared to be alone
go back to where we’ve been scared to roam from what we know silver in the glow again
(silver glowing)
credits
from Somewhere Nowhere,
released October 9, 2020
Produced by Chadwick Johnson
Written by Chadwick Johnson
Mixed by Sam Pura
Mastered by Sam Pura
One of my favorite albums of all time. Turnover really hit a sound here that resonates with me deeply, and I often find myself coming back to this record and falling in love with it all over again. The drums and bass are greatly underrated on this album, creating their own unique melodies that fit within the song and create something new rather than just follow the guitars. Nothing beats the somehow joyful and somber sound of this record. Rob Carpenter
Sludge, Shoegaze, Atmospheric, Heavy Metal, Alt-metal, you name it. This album has it all, and it is perfect. It came out during a rough time period of my life and others lives too. It's been the soundtrack for all of my pain. Thank you Hum tawper
They come right out of the gate with the first three tracks. I love this album and it headbanger qualities. Changing Lanes is a nice stripped down song in the center of the tracklist and slows it all down before the record gradually picks up speed again.
The closing song is one of their best ballads/songs. The cello and tone sends me straight back to the 90's.
Staying on par with the previous record was a tough act to follow and they managed it flawlessly in my opinion. stargazing robot
Melodic alt-pop in the vein of Soccer Mommy is driven by winding guitar lines and augmented with dreamy shoegaze elements. Bandcamp New & Notable Jan 14, 2021
Preorder the mustard gold cassette from these Boston indie rockers, out on Disposable America (Soft Fangs, Horse Jumper of Love). Bandcamp New & Notable Sep 15, 2016